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sway

THERE IS AN EMPTY SPACE IN THE MUSIC INDUSTRY TODAY AND ONLY A VERY PARTICULAR ACT CAN FILL IT.
LOS ANGELES BASED SWAY GRABS AT A MULTITUDE OF STYLES, DRAWS IN AN ELEMENT OF THEIR CHOOSING AND ADDS IT TO THE FUSION THAT IS THEIR UNDENIABLY INTRIGUING POP SOUND. COMBINED WITH THE DOUBLE-EDGED COARSE YET SLEEK UTTERANCE OF FREDDY HALE IN YOUR AUDIBLE FOCUS, SWAY'S SONIC LANDSCAPE CONSISTS OF DARKLY KEYS AND AMBIENCE TOUGHENED BY CADU COSTA'S HARD HITTING DRUMS, NIKLAS MYRBACK'S SMART SHARP-TONED GUITARS AND DANIEL JUTER'S BOOMING BASS LINES VERSUS MOODY SYNTHESIZERS. 

 

THERE IS OFTEN AN UNDERLYING EMPATHY IN FREDDY'S LYRICS FOR THE KINDS OF ANXIETIES SO MANY FEEL. JUST AS OFTEN HIS ROMANTIC ENDEAVORS ARE EXPLORED IN EITHER HOPEFUL OR GRITTY, CYNICAL LIGHT. REGARDLESS OF WHAT HE CHOOSES TO EXPRESS, IT COMES IN THE FORM OF A CONTAGIOUS HOOK EVERY TIME.

 

AT FIRST GLANCE THE BAND SHOWCASES MYSTERY AND SEEMS TO THRIVE INSIDE OF A GLOSSY AND REFINED PACKAGING, ALTHOUGH AT A CLOSER LOOK THEY PROVIDE HONESTY AND AUTHENTICITY TO THEIR AUDIENCE. SWAY IS FREDDY HALE, NIKLAS MYRBACK, DANIEL JUTER, CADU COSTA.